I’m so lucky I get to work with these incredible goofballs! Check out Ep 47 of #emmaapproved #100happydays | DAY 32 http://pbly.co/EAep47
"She was all pleasure and gratitude, both for Harriet and herself, and longed to be thanking him…”
"What is going on with you and Al? Are you two involved?”knighthouse au: the one in which they’ve been together since the beginning
Screw writing “strong” women. Write interesting women. Write well-rounded women. Write complicated women. Write a woman who kicks ass, write a woman who cowers in a corner. Write a woman who’s desperate for a husband. Write a woman who doesn’t need a man. Write women who cry, women who rant, women who are shy, women who don’t take no shit, women who need validation and women who don’t care what anybody thinks. THEY ARE ALL OKAY, and all those things could exist in THE SAME WOMAN. Women shouldn’t be valued because we are strong, or kick-ass, but because we are people. So don’t focus on writing characters who are strong. Write characters who are people.
"Mr. Elton had retreated into the card-room, looking (Emma trusted) very foolish."
Wait no, no one said anything about dancing! Emma! I’m not dancing!